An artist is a lover, a graphic designer is a whore. we're both. You can email me
Painting Please! Leslie David is a graphic designer, art director and illustrator based in Paris. She is specialized in brand image and graphic design for fashion brands and culture. She studied at l’école supérieure des Arts Décoratifs de Strasbourg. She was working as art director at Petronio Associates in Paris from 2006 to 2008. http://www.leslie-david.com
Painting Please! Leslie David is a graphic designer, art director and illustrator based in Paris. She is specialized in brand image and graphic design for fashion brands and culture. She studied at l’école supérieure des Arts Décoratifs de Strasbourg. She was working as art director at Petronio Associates in Paris from 2006 to 2008. http://www.leslie-david.com
Painting Please! Leslie David is a graphic designer, art director and illustrator based in Paris. She is specialized in brand image and graphic design for fashion brands and culture. She studied at l’école supérieure des Arts Décoratifs de Strasbourg. She was working as art director at Petronio Associates in Paris from 2006 to 2008. http://www.leslie-david.com
Painting Please! Leslie David is a graphic designer, art director and illustrator based in Paris. She is specialized in brand image and graphic design for fashion brands and culture. She studied at l’école supérieure des Arts Décoratifs de Strasbourg. She was working as art director at Petronio Associates in Paris from 2006 to 2008. http://www.leslie-david.com
Painting Please! Leslie David is a graphic designer, art director and illustrator based in Paris. She is specialized in brand image and graphic design for fashion brands and culture. She studied at l’école supérieure des Arts Décoratifs de Strasbourg. She was working as art director at Petronio Associates in Paris from 2006 to 2008. http://www.leslie-david.com
Painting Please! Leslie David is a graphic designer, art director and illustrator based in Paris. She is specialized in brand image and graphic design for fashion brands and culture. She studied at l’école supérieure des Arts Décoratifs de Strasbourg. She was working as art director at Petronio Associates in Paris from 2006 to 2008. http://www.leslie-david.com
Painting Please! Leslie David is a graphic designer, art director and illustrator based in Paris. She is specialized in brand image and graphic design for fashion brands and culture. She studied at l’école supérieure des Arts Décoratifs de Strasbourg. She was working as art director at Petronio Associates in Paris from 2006 to 2008. http://www.leslie-david.com


Painting Please!

Leslie David is a graphic designer, art director and illustrator based in Paris. She is specialized in brand image and graphic design for fashion brands and culture. She studied at l’école supérieure des Arts Décoratifs de Strasbourg. She was working as art director at Petronio Associates in Paris from 2006 to 2008.


http://www.leslie-david.com

Brooklyn-based artist Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.
Brooklyn-based artist Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.

Brooklyn-based artist Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.

“When I compose an image I work without premeditation, beginning with only a vague suggestion, so the places I make often surprise me as they unfold in a series of unanticipated discoveries. The subjects change and shift as a nascent world comes slowly into focus. Even though my desire is to create places and events that are vivid and seem true—to make impossible places tangible—they stay elusive and enigmatic to me. In the end, the drawings are both a record of discovery and a means of re-experiencing the mystery. They also remind me of our desire to search for truth and meaning as we encounter and attempt to define our shifting world, even if such a search might be futile.” – Hilary Brace
“When I compose an image I work without premeditation, beginning with only a vague suggestion, so the places I make often surprise me as they unfold in a series of unanticipated discoveries. The subjects change and shift as a nascent world comes slowly into focus. Even though my desire is to create places and events that are vivid and seem true—to make impossible places tangible—they stay elusive and enigmatic to me. In the end, the drawings are both a record of discovery and a means of re-experiencing the mystery. They also remind me of our desire to search for truth and meaning as we encounter and attempt to define our shifting world, even if such a search might be futile.” – Hilary Brace
“When I compose an image I work without premeditation, beginning with only a vague suggestion, so the places I make often surprise me as they unfold in a series of unanticipated discoveries. The subjects change and shift as a nascent world comes slowly into focus. Even though my desire is to create places and events that are vivid and seem true—to make impossible places tangible—they stay elusive and enigmatic to me. In the end, the drawings are both a record of discovery and a means of re-experiencing the mystery. They also remind me of our desire to search for truth and meaning as we encounter and attempt to define our shifting world, even if such a search might be futile.” – Hilary Brace
“When I compose an image I work without premeditation, beginning with only a vague suggestion, so the places I make often surprise me as they unfold in a series of unanticipated discoveries. The subjects change and shift as a nascent world comes slowly into focus. Even though my desire is to create places and events that are vivid and seem true—to make impossible places tangible—they stay elusive and enigmatic to me. In the end, the drawings are both a record of discovery and a means of re-experiencing the mystery. They also remind me of our desire to search for truth and meaning as we encounter and attempt to define our shifting world, even if such a search might be futile.” – Hilary Brace
“When I compose an image I work without premeditation, beginning with only a vague suggestion, so the places I make often surprise me as they unfold in a series of unanticipated discoveries. The subjects change and shift as a nascent world comes slowly into focus. Even though my desire is to create places and events that are vivid and seem true—to make impossible places tangible—they stay elusive and enigmatic to me. In the end, the drawings are both a record of discovery and a means of re-experiencing the mystery. They also remind me of our desire to search for truth and meaning as we encounter and attempt to define our shifting world, even if such a search might be futile.” – Hilary Brace

“When I compose an image I work without premeditation, beginning with only a vague suggestion, so the places I make often surprise me as they unfold in a series of unanticipated discoveries. The subjects change and shift as a nascent world comes slowly into focus. Even though my desire is to create places and events that are vivid and seem true—to make impossible places tangible—they stay elusive and enigmatic to me. In the end, the drawings are both a record of discovery and a means of re-experiencing the mystery. They also remind me of our desire to search for truth and meaning as we encounter and attempt to define our shifting world, even if such a search might be futile.” – Hilary Brace