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Cally is a photographic artist from New Zealand with romantic notions of finding value in banality. Her work identifies aesthetic value where none appears apparent and invites viewers to reflect on our rural beginnings. After graduating in photography in the early 90’s she went on to show and sell her work, which led to a number of awards.  She worked in the industry until having a family in early 2000. Her particular interest has always been in the fine art genre and recently this is where she has come back to. http://www.cally.co.nz Behance profile: http://www.behance.net/callywhitham
Cally is a photographic artist from New Zealand with romantic notions of finding value in banality. Her work identifies aesthetic value where none appears apparent and invites viewers to reflect on our rural beginnings. After graduating in photography in the early 90’s she went on to show and sell her work, which led to a number of awards.  She worked in the industry until having a family in early 2000. Her particular interest has always been in the fine art genre and recently this is where she has come back to. http://www.cally.co.nz Behance profile: http://www.behance.net/callywhitham
Cally is a photographic artist from New Zealand with romantic notions of finding value in banality. Her work identifies aesthetic value where none appears apparent and invites viewers to reflect on our rural beginnings. After graduating in photography in the early 90’s she went on to show and sell her work, which led to a number of awards.  She worked in the industry until having a family in early 2000. Her particular interest has always been in the fine art genre and recently this is where she has come back to. http://www.cally.co.nz Behance profile: http://www.behance.net/callywhitham

Cally is a photographic artist from New Zealand with romantic notions of finding value in banality. Her work identifies aesthetic value where none appears apparent and invites viewers to reflect on our rural beginnings.

After graduating in photography in the early 90’s she went on to show and sell her work, which led to a number of awards.  She worked in the industry until having a family in early 2000.

Her particular interest has always been in the fine art genre and recently this is where she has come back to.

http://www.cally.co.nz

Behance profile: http://www.behance.net/callywhitham

Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here. 
Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here. 
Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here. 
Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here. 
Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here. 
Peter Carrington Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states,  “I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.” Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here. 

Peter Carrington

Peter Carrington, an illustrator from Manchester, makes artworks about  science, natural history and his struggle to gain knowledge. As Carrington states, 

“I’ve always had an interest in science and nature, and during my studies I decided to combine this with my practice. Through deeper research into different scientific areas it quickly became apparent that, due to having dyslexia, I was never going to get a grip of the topics to make work that wasn’t shallow and ill-informed. I became frustrated that I wouldn’t be able to use the visual language of the sciences that I had become obsessed with. It was at this point that this frustration became the forefront of the work and the drawings became a portrait of me and my struggle with dyslexia. I began using the visuals of science and natural history journals to create seemingly scientific illustrations.”

Carrington’s work harkens back to the history of biology and botany, where drawing and labels were the key to all knowledge, then he adds his own bit of mystical influence. Now Carrington is focusing on the human need for order. Through labels and numbers he demonstrates our need to categorize. To see more of his work, click here. 

(via artandsciencejournal)