An artist is a lover, a graphic designer is a whore. we're both. You can email me
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.
BROKEN 1000 FACES This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.

BROKEN 1000 FACES
This is the personal project Kimura started in 1999, in which he’d make 1000 pieces of work “faces” by his original way of collage in the same sized paper (21cm×29.7cm). Each face contains each facial expression at the moment which can never seen again.

Brooklyn-based artist Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.
Brooklyn-based artist Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.

Brooklyn-based artist Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.

Illustrator, graphic designer, and artist Jordan Speer created his own action figures (or at least illustrations of them.)  Recreating the familiar packaging of childhood toys, Speer fills each one with a unique figurine.  While nearly nostalgia inducing, each toy is also slightly sinister featuring warnings such as “slightly toxic”, “forbidden”, and “highly illegal”.  Speer’s figures are enigmatic characters, unfamiliar and unwilling to reveal much beyond their name and accessories.  Which would you collect?

Illustrator, graphic designer, and artist Jordan Speer created his own action figures (or at least illustrations of them.)  Recreating the familiar packaging of childhood toys, Speer fills each one with a unique figurine.  While nearly nostalgia inducing, each toy is also slightly sinister featuring warnings such as “slightly toxic”, “forbidden”, and “highly illegal”.  Speer’s figures are enigmatic characters, unfamiliar and unwilling to reveal much beyond their name and accessories.  Which would you collect?